Scheide Prize

BACH: Journal of the Riemenschneider Bach Institute has had several of its articles earn the William H. Scheide Prize, given biennially by the American Bach Society to a publication of exceptional merit on Bach or figures in his circle by a scholar in the early stages of their career who is professionally active in North America. The following articles have earned this award:

2024

Thomas A. Cressy, “Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity,” BACH: Journal of the Riemenschneider Bach Institute, Volume 54 (2023)

2021

Dana Plank, "From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor," BACH: Journal of the Riemenschneider Bach Institute, Volume 50 (2019)

Christopher Brody, "Teaching Bach's Binary Forms," BACH: Journal of the Riemenschneider Bach Institute, Volume 49 (2018)

2016

Carolyn Carrier-McClimon, "Hearing the 'Töne eines Passionsliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 24," BACH: Journal of the Riemenschneider Bach Institute, Volume 45, no. 2 (2014)