Archive
Volume 50, No. 2
Co-edited by Christina Fuhrmann and Rebecca Fülöp
Bach on Screen
Voice
of
the
Dance:
J.
S.
Bach
and
Other
Classics
in
the
Maksimova-Vasiliev
Film
Fouetté
(1986)
OLGA
HALDEY
J.
S.
Bach,
Jean-Luc
Godard,
and
the
Reimagining
of
the
Immaculate
Conception
in
Hail
Mary
(1985)
MICHAEL
BAUMGARTNER
The
Consecration
of
the
Marginalized:
Pasolini's
Use
of
J.
S.
Bach
in
Accattone
(1961)
and
Il
Vangelo
Secondo
Matteo
(1964)
MARK
BRILL
Another
Woody:
J.
S.
Bach
in
Dixieland
PER
F.
BROMAN
"Good
Hands":
The
Music
of
J.
S.
Bach
in
Television
Commercials
PETER
KUPFER
Reviews
Sonatas,
Screams,
and
Silence:
Music
and
Sound
in
the
Films
of
Ingmar
Bergman
by
Alexis
Luko
Review
by
ELSIE
WALKER
Leipzig
after
Bach:
Church
&
Concert
Life
in
a
German
City
by
Jeffrey
S.
Sposato
Review
by
R.
LARRY
TODD
Listening
to
Bach:
The
Mass
in
B
Minor
and
the
Christmas
Oratorio
by
Daniel
R.
Melamed
Review
by
MARK
A.
PETERS