Supplemental Catalog No. 28
Supplemental Catalog No. 28
of the
Emilie and Karl Riemenschneider Memorial Bach Library
Issued by the
Riemenschneider Bach Institute
Mel Unger, Director
Baldwin Wallace University
Berea, Ohio
2002
RIEMENSCHNEIDER BACH INSTITUTE
RIEMENSCHNEIDER COLLECTION
COLLECTED WORKS
Bach, Johann Sebastian. Neue Ausgabe Sämtlicher Werke. Hrsg. vom Johann Sebastian-Bach-Institut, Göttingen und vom Bach-Archiv, Leipzig. Kässel: Bärenreiter, 1954—.
Ser. III. Motetten, Choräle, Lieder
Bd. 3. Motetten, Choralsätze und Lieder Zweifelhafter Echtheit. Hrsg. von Frieder Rempp, 2002. (2 copies)
Bd. 3. Motetten, Choralsätze und Lieder Zweifelhafter Echtheit. Kritischer Bericht. Hrsg. von Frieder Rempp, 2002. (2 copies)
Berlioz, Hector. New Edition of the Complete Works. Issued by the Berlioz Centenary Committee, London, in Association with the Calouste Gulbenkian Foundation, Lisbon. Kassel: Bärenreiter, 1967―.
Vol. 4. Incomplete Operas. Edited by Ric Graebner and Paul Banks, 2002.
Brahms, Johannes. Neue Ausgabe Sämtlicher Werke. Hrsg. von der Johannes Brahms Gesamtausgabe e. V. Editionsleitung Kiel in Verbindung mit der Gesellschaft der Musikfreunde in Wien, München: G. Henle Verlag, 1996―.
Ser. I. Orchesterwerke Bd. 2. Symphonie Nr. 2, 2001.
Bruckner, Anton. Sämtliche Werke. Vorgelegt von Leopold Nowak. Wein: Musikwissenschaftlicher Verlag, 1974—.
Bd. VII. Symphonie E-Dur. Revisionbericht.Vorgelegt von Rüdiger Bornhöft, 2003.
Bd. IX. Symphonie D-Moll. (Satz-Scherzo & Trio-Adagio). Kritischer Bericht. Vorgelegt von Benjamin Gunnar Cohrs, 2001.
Bd. IX. Symphonie D-Moll. Finale (Unvollendet). Dokumentation des Fragments. Vorgelegt von John A. Phillips, 1999-2002.
Bd. XX/1-6. Psalmen und Magnificat. Revisionsbericht. Vorgelegt von Paul Hawkshaw, 2002.
Handel, Georg Friedrich. Hallische Händel-Ausgabe: Kritische Gesamtausgabe. Hrsg. von der Georg-Friedrich-Händel-Gesellschaft. Gen. Eds. Bernd Baselt, Walther Siegmund-Schultze. Kassel: Bärenreiter-Verlag, 1955—.
Ser.II: Opern
Bd. 16. Rodelinda, Regina de’ Longobardi. Hrsg. von Andrew V. Jones, 2002.
Bd. 40. Imeneo. Hrsg. von Donald Burrows, 2002.
Haydn, Joseph. Joseph Haydn Werke. Edited by the Joseph Haydn-Institut, Köln under the direction of Georg Feder. München, Germany: G. Henle Verlag, 1958—.
Reihe XXXII: Volksliedbearbeitungen
Bd. 3. Volksliedbearbeitungen Nr. 151-268. Schottische Lieder für George Thomson. Hrsg. von Marjorie Rycroft. In Verbindung mit Warwick Edwards und Kirsteen McCue, 2001.
Luther, Martin. D. Martin Luthers Werke. Briefwechsel. Kritische Gesamtausgabe. Edited by Ulrich Kopf and Helmar Junghans. Weimar: Bohlaus Nachfolger, 2001—.
Bd. 1. Briefwechsel, 1501-1520, 2002.
Bd. 2. Briefwechsel, 1520-1522, 2002.
Bd. 3. Briefwechsel, 1523-1525, 2002.
Bd. 4. Briefwechsel, 1526-1528, 2002.
Bd. 5. Briefwechsel, 1529-1530, 2002.
Bd. 6. Briefwechsel, 1531-1533, 2002.
Bd. 7. Briefwechsel, 1534-1536, 2002.
Bd. 8. Briefwechsel, 1537-1539, 2002.
Bd. 9. 1540-Februar 1542, 2002.
Bd. 10. März 1542-December 1544, 2002.
Bd. 11. 1. Januar 1545- 3. März 1546, 2002.
Bd. 12. Nachträge, 2002.
Bd. 13. Nachträge und Berichtigungen, 2002.
Bd. 14. Beschreibendes handschriftenverzeichnis, 2002.
Bd. 15. Personen- und Ortsregister, 2002.
Bd. 16. Sonderregister, 2002.
Bd. 17. Theologisches und Sachregister, 2002.
Bd. 18. Alphabetisches Berzeichnis der Tertansänge, 2002.
Supplement. Begleitheft zum Briefwechsel, 2002.
Marais, Marin. The Instrumental Works. A critical edition. Edited by John Hsu and Bonney McDowell. New York: Broude Brothers Limited, 1980—.
Vol. 7. La Gamme et autres morceaux de simphonie pour le violon, la viole et le claveçin (1723). Unpublished pieces from the Panmure manuscripts. Edited by John Hsu, 2002.
Monteverdi, Claudio [1567-1643]: Opera Omnia. ed. The Biblioteca Statale e Civica di Cremona and by the Scuola di Paleografia e Filologia Musicale. Italy, Cremona: Fondazione Claudio Monteverdi, 1970—.
Vol. 7. Scherzi Musicali a Tre Voci (1607). Edizione Critica Di Frank Dobbins, 2002.
Vol. 12. Scherzi Musicali a Una e Due Voci (1632). Edizione Critica Di Frank Dobbins e Anna Maria Vacchelli, 2002.
Schönberg, Arnold. Sämtliche Werke. Hrsg. von Josef Rufer, in zusammenarbeit mit Richard Hoffmann [et al.]. unter dem Patronat der Akademie der Künste, Berlin. Mainz: B. Schott’s Söhne, 1966—.
Abt. III. Bühnenwerke
Reihe A
Bd. 6. Bühnenwerke I. Hrsg. von Ullrich Scheideler, 2000.
Reihe B
Bd. 6.1. Bühnenwerke I. Hrsg. von Ullrich Scheideler, 2001.
Abt. IV. Orchesterwerke
Reihe B.
Bd. 10. Pelleas und Melisande. Hrsg. von Nikos Kokkinis und Ralf Kwasny, 1999.
Abt. VI. Kammermusik
Reihe B.
Bd. 22. Kammermusik I. Hrsg. von Dorothee Schubel, 2000.
Schumann, Robert. New Edition of the Complete Works. Published by the Robert-Schumann-Gesellschaft Düsseldorf. Edited by Akio Mayeda and Klaus Wolfgang Niemöller in conjunction with the Robert-Schumann-Haus Zwickau. Mainz, Germany: Schott Publishers, 1991—.
Series I: Orchesterwerke
Werkgruppe 1:
Vol. 3. Symphony No. 3, Op. 97. Edited by Linda Correll Roesner, 1995.
Vol. 5. Ouverture, Scherzo und Finale, Op. 52. Edited by Sonja Gerlach, 2000
Series II: Chamber Music
Werkgruppe 2: Werke für Streicher und Klavier
Vol. 3. Sonate für Pianoforte und Violine, Op. 105; Sonate für Violine und Pianoforte, Op. 121; F.A.E. Sonate; Violinsonate WoO 2. Edited by Ute Bär, 2001.
Series III: Klavier- und Orgelmusik
Werkgruppe 2: Werke fur Klavier zu vier Handen bzw. fur zwei Klaviere. Edited by Joachim Draheim and Bernhard R. Appel, 2001.
Series IV: Buhnen- und Chorwerke mit Orchester Werkgruppe 3:
Vol. 1/1. Le psaume cent cinquantieme. Edited by Matthias Wendt, 2000. Verzweifle nicht im Schmerzensthal, Op. 93. Edited by Brigitte Kohnz and Matthias Wendt, 2000.
Vol. 2. Missa sacra, Op. 147. Edited by Bernhard R. Appel, 1991.
Vol. 3. Requiem, Op. 148. Edited by Bernhard R. Appel, 1993.
Series V. Chorwerke.
Werkgruppe 2. Werke fur Frauenstimmen, Op. 69 und 91, 1991.
Series VII. Klavierauszuge, Bearbeitungen, Studien und Skizzen
Werkgruppe 3: Studien und Skizzen
Vol. 4. Dresdener Skizzenheft; Taschennotizbuch, 1998.
Series VIII. Supplemente
Vol. 1. A Chronicle of his life in pictures and documents, 1998.
Vol. 2. Literary Text used in solo songs, part songs and works for vocal declamation, 2002.
Vol. 6. Thematic-Bibliographical Catalogue of the Works, 2003.
Schütz, Heinrich. Neue Ausgabe sämtlicher Werke. Hrsg. von Internationalen Heinrich Schütz-Gesellschaft. Kassel: Bärenreiter, 1955—.
Bd. 21. Symphoniae Sacrae III (1650), Nr. 15-21. Hrsg. von Werner Breig, 2002.
Vivaldi, Antonio. Nuova Edizione Critica Delle Opere. Istituto Italiano Antonio Vivaldi. Milano: Ricordi, 1982—.
Dixit Dominus Salmo 109 perDue Soprani, Tenore E Basso Solisti, Due Cori A Quattro Voci Miste, Due Trombe, Due Oboi E Archi (Due Violini, Viola E Basso) Divisi in Due Cori (RV 594). Paul Everett, ed., 2002.
Laudate pueri Dominum Salmo 112 per Soprano, Flauto Traverso, Due Oboi Ad Libitum, Due Violini, Viola E Basso (RV 601). Michael Talbot, ed., 2002.
Sonata per Flauto Traverso (Oboe, Violino), Oboe (Violino), Violoncello (Fagotto)E Basso Continuo (RV 801). Paul Everett, ed., 2002.
Tremori al braccio e lagrime sul ciglio; Cantata per Soprano E Basso Continuo (RV 799) Francesco DeGrada, ed., 2002.
Trio per Due Flauti Traversi E Basso Continuo (RV 800). Paul Everett, ed., 2002.
MONUMENTS
Early English Church Music. Gen. Ed. Frank Llewellyn Harrison. Published for the British Academy. London: Stainer and Bell, cop. 1963—
Vol. 43. Robert Fayrfax: O bone Iesu. Transcribed and edited by Roger Bray, 2002.
Musica Britannica: A National Collection of Music. Published for the Royal Musical Association. London: Stainer & Bell, 1951—.
Vol. LXXIX. John Blow. Anthems IV: Anthems with Instruments. Transcribed and edited by Bruce Wood, 2002.
Widor, Charles-Marie. Symphonie Pour Orgue et Orchestre, Opus 42 [bis]. John R. Near, ed. Middleton, WI.: A-R Editions, 2002
MUSIC LITERATURE AND THEORY
Bach, Lübeck und die Norddeutsche Musiktradition: Bericht über das Internationale Symposium der Musikhochschule Lübeck, April 2000. Hrsg. von Wolfgang Sandberger. Kassel: New York: Barenreiter, 2002.
Best, Terence. Handel Collections and Their History. Foreword by Brian Trowell. Oxford, New York: Clarendon Press, 1993.
Brown, Clive. Classical & Romantic Performing Practice 1750-1900. Oxford, New York: Oxford University Press, 1999.
Burrows, Donald. A Catalogue of Handel’s Musical Autographs. Donald Burrows and Martha J. Ronish. Oxford: Clarendon Press, 1994.
Continuo Playing According to Handel. (Early Music Series: 12) With a Commentary by David Ledbetter. Oxford: Oxford University Press, 1989.
Crist, Stephen, ed. Bach Perspectives. Volume 5: Bach in America. Urbana and Chicago: University of Illinois Press, 2003.
Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik begründet von Friedrich Blume. Zweite, neubearbeitete Ausgabe. Hrsg. von Ludwig Finscher. Kassel: Bärenreiter, 1999—.
_______Personenteil, Vol. 7 (Fra-Gre)
_______Personenteil, Vol. 8 (Gri-Hil)
Goldberg, Laurette with Jonathan Rhodes Lee. The Goldberg Variations Reader: A Performers’ Guide and Anthology of Critical Appreciation. Berkeley, CA: Music Sources, 2002.
Guide to Review of Library Collections: Preservation, Storage and Withdrawal. Second Edition. (Collection Management and Development Guides, No. 12). Edited by Dennis K. Lambert, Winston Atkins, Douglas A. Litts and Lorraine H. Olley. Lanham, MD: Scarecrow Press, 2002.
Haynes, Bruce. A History of Performing Pitch. Lanham, MD: Scarecrow Press, 2002.
Kellner, Herbert A. Die Kunst der Fuga: how incomplete is the fuga a 3 sogetti? Darmstadt, 2002.
_______ Musicalische Temperatur der Bachsöhne bei Wilhelm Friedemann and Carl Philipp Emanuel Bach. Darmstadt, 2001.
Lonsdale, Roger. Dr. Charles Burney: A Literary Biography. Oxford, New York: Clarendon Press, 1986.
Maunder, Richard. Keyboard Instruments in Eighteenth-Century Vienna. Oxford, New York: Clarendon Press, 1998.
Miller, Dayton C. Catalogue of Books and Literary Material Relating to the Flute and Other Musical Instruments, With Annotations. Cleveland: Judson Company, 1935.
Montagu, Jeremy. Musical Instruments of the Bible. Lanham, MD: Scarecrow Press, 2002.
Morris, Christopher. Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning From Wagner to Berg. Cambridge: Cambridge University Press, 2002.
Overduin, Jan, ed. Johann Sebastian Bach’s Die Kunst der Fuge, BWV 1080 for Organ and Keyboard with Commentary. Lewiston/Queenston: The Edwin Mellen Press, 2001.
Owen, Barbara. The Registration of Baroque Organ Music. Bloomington, IN: Indiana University Press, 1997.
Penderecki, Krzysztof. Labyrinth of Time: Five Addresses for the End of the Millenium. Chapel Hill, NC: Hinshaw Music, 1998.
Powell, John S. Music and Theatre in France, 1600-1680. Oxford, New York: Clarendon Press, 1998.
Powers, Doris B. Carl Philipp Emanuel Bach: A Guide to Research. New York: Routledge, 2002.
Reischert, Alexander. Kompendium der Musikalischen Sujets: Ein Werkkatalog. 2 vols. Kassel: Bärenreiter, 2001.
Répertoire International des Sources Musicales. _______ Series B, III/6. Manuscripts from the Carolingian Era up to c.1500: Addenda, Corrigenda. Christian Meyer, ed. , München: G. Henle Verlag, 2003.
Robinson, Ray, and Regina Chlopicka, eds. Studies in Penderecki. Vol. 1. Princeton, NJ: Prestige Publications, 1998.
Rowland, David, Dr. Early Keyboard Instruments: A Practical Guide. Cambridge: Cambridge University Press, 2001.
Schleuning, Peter. Johann Sebastian Bach: Die Brandenburgischen Konzerte. Kassel: Bärenreiter, 2003.
Smith, Mark. Leopold: Johann Sebastian Bach’s Funeral Music for Prince Leopold of Anhalt-Cöthen. March 24, 1729. Adelaide, South Australia, 2001. Revised March 2002.
Storck, Karl. Mozart: Sein Leben und Schaffen; mit Einem Bildnis und Zwei Schriftproben. 1908. Reprint. Scarsdale, NY: Annemarie Schnase, 1969.
Studien zur tradition in der musik. Hrsg. von Hans Heinrich Eggebrecht. Musikverlag Emil Katzbichler, c1973.
Wainwright, Jonathan P. Musical Patronage in Seventeenth-Century England: Christopher First Baron Hatton (1605-1670). England, Brookfield, Vt: Scolar Press and Ashgate Publishing, 1997.
Wellheiser, Johanna and Jude Scott. An Ounce of Prevention: Integrated Disaster Planning for Archives, Libraries and Record Centres. Second edition. With assistance of John Barton. Lanham, MD: Scarecrow Press, 2002.
Whaples, Miriam K. Bach Aria Index. Ann Arbor, MI: Music Library Association, 1971.
Yearsley, David. Bach and the Meanings of Counterpoint. Cambridge University Press, 2002.
MUSIC
Bach, Johann Sebastian. Sonatas: Livre I-II; Revision et Annotations par Ch. Bouvet. Paris: Editions Salabert, 1919.
Händel, George Frideric. Gloria. Hrsg. von Hans Joachim Marx. Kassel; New York: Bärenreiter, 2001.
Kuhnau, Johann. The Battle Between David and Goliath. For piano solo. New York: Kalmus.
RECORDINGS, VIDEOS, CASSETTES, CDS
Bach, Johann Sebastian. Bach Organ Favorites. E. Power Biggs, organist. Recorded on the Flantrop organ in the Busch-Reisinger Museum of Harvard University. Columbia. (1 recording)
_______Bach and the High Baroque. Prof. Robert Greenberg of The San Francisco Conservatory of Music. The Teaching Company, 2002. (12 videos)
_______ Bach Lute Suites, BWV 995-998. Paul Galbraith arrangement for 8-string guitar. Hollywood, CA: Delos International, 2000. (1 CD)
_______ Bach: The Sonatas & Partitas for Unaccompanied Violin. Paul Galbraith arrangement for 8-string guitar. Hollywood, CA: Delos International, 1998. (2 CDs)
______ Cantata No. 202: The Wedding and Cantata No. 161: Come Sweet Death. Felix Prohaska conducting the Choir and Orchestra of The Bach Guild. Vanguard. (1 recording)
______Concerto in C for Three Harpsichords and Orchestra and Concerto in A Minor for Four Harpsichords and Orchestra. Vienna Chamber Orchestra, Anton Heiller, conductor. Boston: Haydn Society, 1950.
______J.S. Bach:Die Bach Kantate. Christmas Oratorio, BWV 248. Bach Ensemble with Helmuth Rilling. Intercord, 1985. Cantatas 1 and 2, Cantatas 3 and 4 and Cantatas 5 and 6. (3 CDs)
______Jesus, Dearest Master (Jesu, Meine Freude). BWV 227, Motet No. 3. Robert Shaw conducting the RCA Victor Chorale and Orchestra. RCA Victor. (1 recording)
______Music of Jubilee: Bach Favorites for Organ and Orchestra. E. Power Biggs, organ and The Columbia Chamber Symphony conducted by Zoltan Rozsnyai. Columbia. (1 recording)
______Six Brandenburg Concerti. Paul Sacher conducting The Chamber Orchestra of Basel. Epic. (2 recording)
______The Complete Brandenburg Concerti. Otto Klemperer conducting The Philharmonia Orchestra. Angel Records, 196? (2 recordings)
Handel, Georg Friedrich. Four Favorite Handel Organ Concertos; The Cuckoo and the Nightingale. E. Power Biggs, Organ; Sir Adrian Boult conducting the London Philharmonic Orchestra. Columbia. (1 recording)
MICROFILM/MICROFICHE
BACH MANUSCRIPTS IN THE STAATSBIBKIOTHEK BERLIN-PREUSSISCHER KULTURBESITZ (1,361 microfiche)
A HANDLIST OF MICROFILMS OF MUSICAL MANUSCRIPTS IN THE SCHLOβ-ARCHIV AT SONDERHAUSEN (THÜRINGEN), DEUTSCHLAND (26 microfilms)
TELEMANN MANUSCRIPTS IN THE STAATSBIBLIOTHEK BERLIN-PREUSSISCHER KULTURBESITZ (352 microfiche)
TELEMANN MANUSCRIPTS IN THE UNIVERSITÄTSBIBLIOTHEK FRANKFURT AM MAIN (270 microfiche)
VARIOUS BAROQUE MANUSCRIPTS – From the estate of Willard Palmer (166 microfilms)
NON-MUSIC
An Ounce of Prevention: Integrated Disaster Planning for Archives, Libraries, and Record Centres. Second Edition. Johanna Wellheiser and Jude Scott. With the assistance of John Barton. Lanham, MD: Scarecrow Press, 2002.
Guide to Review of Library Collections: Preservation, Storage and Withdrawal. Second Edition. Dennis K. Lambert, Winston Atkins, Douglas A. Litts and Lorraine H. Olley. Lanham, MD: Scarecrow Press, 2002.
Leighton, Philip D. Planning Academic and Research Library Buildings. David C. Weber. 3rd edition. Chicago: American Library Association, 2000.