Table of Contents for Recent Issues of BACH
Volume XLIII, No. 2 (2012)
Table of Contents
Volume XLIII, No. 1 (2012)
Table of Contents
BACH AT MID-LIFE: THE CHRISTMAS ORATORIO AND THE SEARCH FOR NEW PATHS
Robert L. Marshall
J. S. BACH'S MEINE SEEL'ERHEBT DEN HERREN (BWV 10) AS CHORALE CANTATA AND MAGNIFICAT PARAPHRASE
Mark A. Peters
JOHANN SEBASTIAN BACH'S PASSIONS: RECENT PUBLICATIONS AND TRENDS IN CURRENT SCHOLARSHIP
Markus Rathey
REVIEWS:
Bach's Dialogue with Modernity. By John Butt.
William R. Everdell
The Musician in Literature in the Age of Bach. By Stephen Rose.
Mark A. Peters
Volume XLII, No. 2 (2011)
Table of Contents
Anatoly Milka
Robin A. Leaver
A PREVIOUSLY UNKNOWN SOURCE FOR THE ORGELBÜCHLEIN:YALE MISC. MS. 545
Emerson Morgan
Volume XLII, No. 1 (2011)
Table of Contents
THE BACH-SCHEIBE CONTROVERSY: NEW DOCUMENTATION
Beverly Jerold
THE SACRED CODES OF THE SIX-PART RICERCAR
Zoltán Göncz
THE ORTHODOX LUTHERANISM OF MATTHESON AND BACH
Joyce Irwin
Volume XLI, No. 2 (2010)
Table of Contents
Volume XLI, No. 1 (2010)
Table of Contents
Volume XL, No. 2 (2009)
Table of Contents
Volume XL, No. 1 (2009)
Table of Contents
Alumni and Externals in the Choirs of the Thomas School During Bach's Time AndreasGlöckner.....
The Hungry Soul: Communion Mystics and Physiology in J. S. Bach's St. Matthew Passion
Isabella van Elferen...
The American Image of Bach from a German Emigré's Perspective: Gerhard Herz and the Modern American Bach Movement
Anne Leahy.
The Earliest Complete Performance of the St. Matthew Passion
Katharine Pardee...
Reviews:
The End of Early Music: A Period Performer's History of Music for the Twenty-First Century. By Bruce Haynes.
Ross W. Duffin.
Baroque Piety. Religion, Society, and Music in Leipzig 1650--1750. By Tanya Kevorkian.
Markus Rathey
The Authors ..........................................................................................................................................................................88
Martha Goldsworthy Arnold Fellowship...............................................................................................90
Volume XXXIX, No. 2 (2008)
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Fantasy and Fugue in G Minor (BWV 542): A Source Study for Organists William H. Bates [additional material] & p. 2 of article]
Volume XXXIX, No. 1 (2008)
Table of Contents
Clara Schumann's Bach Book: A Neglected Document of the Bach Revival Russell Stinson
Volume XXXVIII, No. 2 (2007)
Table of Contents
"For the Church as Well as for the Orchestra": J. S. Bach, the Missa, and the Dresden Court, 1700 to 1750 Mary Oleskiewicz
Bach and the Story of an "Aria tempo di Polonaise" for Joachim Friedrich Flemming Szymon Paczkowski
Volume XXXVIII, No. 1 (2007)
Table of Contents
Two Unlikely Sisters: The "Cross" and the "Crosses" in BWV 12 and 69A Markus Rathey
Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hiterto Unknown Revised Christoph Öhm-Köhnle
The Baldwin Wallace University Bach Legacy at 75 Years Tom Riemenschneider and Laura Kennelly
Martha Goldsworthy Arnold Fellowship: Announcement
Volume XXXVII, No. 2 (2006)
Table of Contents
On the Problems of Parody and Style in the "Et resurrexit" from the Mass in B minor by Johann Sebastian Bach Szymon Paczkowski
In Memorium: Alfred Mann Melvin Unger
Volume XXXVII, No. 1 (2006)
Table of Contents
Motif and Structure in Bach's Fifth Prelude Mark Ellis
Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552 Timothy Corlis
The Augmentation Canon in J. S. Bach's Musicalisches Opfer Thomas Op de Coul
REVIEW:
Johann Sebastian Bach: Christmas Oratorio (BWV 248). Ignace Bossuyt (tr. Stratton Bull). Kerry McCarthy
Volume XXXVI, No. 2 (2005)
Table of Contents
Bach and the Middle Ages E. Frederick Flindell (first page)
Letter [Gertrud Schmeling Mara and Johann Adam Hiller, 1766] Beverly Jerold (first page)
Volume XXXVI, No. 1 (2005)
The Nature of Bach's Italian Concerto BWV 971 Federico Garcia
A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas Mark A. Peters
Bach's Lament about Leipzig's Professional Instrumentalists Beverly Jerold
REVIEWS
Bach Studies from Dublin. Edited by Anne Leahy and Yo Tomita Kerry McCarthy, reviewer
Volume XXXV, No. 2 (2004)
From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority Sara Botwinick
REVIEWS
Gnadengegenwart. Johann Sebastian Bach im Kontext lutherischer Orthodoxie und Frömmigkeit. By Renate Steiger Mark Bangert, reviewer
The Organ Music of J. S. Bach. By Peter Williams Markus Rathey, reviewer
Volume XXXV, No. 1 (2004)
"Recht bitter und doch süße": Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion Isabella Van Elferen
The Ultimate Goal of Bach's Art Martin Geck
Johann Christoph Bach's New Organ for Eisenach's Georgenkirche Lynn Edwards Butler
Fasch and the Beginning of Modern Artistic Choral Singing Beverly Jerold
Volume XXXIV, No. 2 (2003)
On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance Albert Clement
Tatlow's Bach and Bach's Signatures in The Goldberg Variations Walter Schenkman
Volume XXXIV, No. 1 (2003)
Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach Mary Greer
The Willard Palmer Collection at the Riemenschneider Bach Institute Laura Kennelly
Volume XXXIII, No. 2 (2002)
Editorial Decisions for Ornaments in Bach's Works Beverly Jerold
Bach's Occasional Canon BWV 1073 and "Stacked" Canonic Procedure in the Eighteenth Century Denis Collins
Dialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping Renate Steiger
CD Review: Johann Sebastian Bach: Art of the Fugue, Peter Elyakim Taussig, Piano Solo Robert Mayerovitch, reviewer
Volume XXXIII, No. 1 (2002)
European Bach Interpretation at the Turn of the Millennium Nicholas Baumgartner
The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions Greg Butler
Johann Sebastian Bach and the "New Gusto" in Music Around 1740 Christian Ahrens
Volume XXXII, No. 1 (2001)
The Text of "Gott ist Mein ist mein König" BWV 71 Daniel R. Melamed
Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration Yo Tomita
Schweitzer and Bach Elinore Barber
Gerhard Herz (September 24, 1911 - September 3, 2000 [page 2] Alfred Mann