Riemenschneider Bach Institute

 

BACH Journal: Cumulative Index - [V] [W] [X] [Y] [Z]

AUTHOR-TITLE-SUBJECT INDEX--CUMULATIVE-1970-2011

Valuation of Bach's Library, The, ROBIN A. LEAVER, Vol. IX/2 (1978),

VAN BOER, BERTIL H., JR. Observations on Bach's Use of the Horn, Part I, Vol. XI/2 (1980), 21-28; Part II, Vol. XI/3 (1980), 9-23.

VAN ELFEREN, ISABELLA, "The Hungry Soul: Communion Mystics and Physiology in J. S. Bach's St Matthew Passion, Vol. XL (2009), 35-57; "Recht bitter und doch süße": Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion, Vol. XXXV/1 (2004), 1-28.

VAN ELFEREN, ISABELLA, Villella Thomas Robert (1932-1982). Memorial Dedication, Vol. XIII/3 (1982), 2.

Viola Pomposa: The Significance of the Viola Pomposa in the Bach Cantatas, MIRIAM F. BOLDUAN, Vol. XIV/3 (1983), 12-17.

Vollkommene Capellmeister, Der, JOHANN MATTHESON (WALTER WINZENBURGER, Translator), (1736) Part I, Vol. II/3 (1971), 33-36; Part II, Vol. II/4 (1971), 38-41.

Wahren Grundsätze, zum Gebrauch der Harmonie, Die, JOHANN PHILIPP KIRNBERGER, (WALTER WINZENBURGER, Translator), Vol. I/4 (1970), 41-46.

Wegweiser... die kunst die orgel recht zu schlagen, Part I: ELINORE L. BARBER, Vol. XVIII/1 (1987), 25-36; Part II: WALTER B. HEWLETT'S "Introductory Remarks" and "Editorial Notes," Vol. XVIII/2 (1987), 4-63; Part III: W. B. HEWLETT'S "Editorial Notes," Vol. XVIII/3 (1987), 11-37; Part IV: W. B. HEWLETT'S "Editorial Notes," Vol. XVIII/4 (1987) 29-54; Part V: W. B. HEWLETTS "Editorial Notes," Vol. XIX/2 (1988), 25-56; Part VI: W. B. HEWLETT'S "Editorial Notes," "Conclusion," and "Bibliography," Vol. XIX/3 (1988), 19-74.

Well-Tempered Clavier II: Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection, YO TOMITA, Vol. XXX/2 (1999), 49-73

Well-Tempered Clavier: C-Major and C-Minor Preludes of the Well-Tempered Clavier, Book I, The JULIUS HERFORD, Vol. IV/2 (1973), 17-21.

Well-Tempered Clavier: J. S. Bach's Fugue II in C Minor from the Well-Tempered Clavier, Book I, (Notizbuch für Studenten), JULIUS HERFORD, Vol. IV/3 (1973), 36-40.

Well-Tempered Clavier: J. S. Bach's Fugue in E Minor from The Well-Tempered Clavier (Book I), HANS T. DAVID, Vol. II/3 (1971), 15-16.

Well-Tempered Clavier: J. S. Bach's Prelude in E Minor from The Well-Tempered Clavier (Book I), HANS T. DAVID, Vol. II/2 (1971), 18-19.

Well-Tempered Clavier:  Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration, YO TOMITA, Vol. XXXII/1 (2001), 17-43.

Well-Tempered Clavier: Recent Research on the Sources and Genesis of Bach's Well-Tempered Clavier, Book II, JAMES A. BROKAW II, Vol. XVI/3 (1985), 17-35.

Well-Tempered Clavier: The Dual Chiastic Design of the C Major Prelude, BWV 870 (Well-Tempered Clavier, Vol. II), MICHAEL LINTON, Vol. XXVII/1 (1996), 31-56.

Well-Tempered Clavier: The Prelude and Fugue in C Major From Bach's Well-Tempered Clavier [Book I]; Notes on the Compositional Process, ANDREW WHITE, Vol. XXIII/2 (1992), 47-60.

Well-Tempered Clavier: The Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801, YO TOMITA, XXIX/2 (1998), 8-79.

Well-Tempered Clavier: Time Signatures of the Well-Tempered Clavier: Their Place in Notational History, EDNA KILGORE, Vol. IV/2 (1973), 3-16.

WHAPLES, MIRIAM K. Bach's Earliest Arias, Vol. XX/1 (1989), 31-54.

WHITE, ANDREW. The Prelude and Fugue in C Major from Bach's Well- Tempered Clavier [Book I]: Notes on the Compositional Process, Vol. XXIII/2 (1992), 47-60.

WHITE, H. M. Canon in the Baroque Era: Some Precedents for the Musical Offering, Vol. XV/4 (1984), 4-15.

The Willard Palmer Collection at the Riemenschneider Bach Institute, LAURA KENNELLY [introd.], Vol. XXXIV/1, 72-89.

WINZENBURGER, WALTER. Meter and Tempo Indications in Music of the Early Baroque, Vol. III/1 (1972), 13-21.

WINZENBURGER, WALTER. Translator, J. P. Kimberger, Die Kunst des reinen Satzes in der Musik, 1779, Part I, Vol. II/1 (1971), 42-46; Part II, Vol. II/2 (1971), 31-34.

WINZENBURGER, WALTER. Translator, J. P. Kirnberger, Die wahren Grundsätze zum Gebrauch der Harmonie, 1773, Vol. I/4 (1970), 41-46.

WINZENBURGER, WALTER. Translator, Johann Mattheson, Der vollkommene Capellmeister... 1739, Part I, Vol. II/3 (1971), 33-36; Part II, Vol. II/4 (1971), 38-41.

WINZENBURGER, WALTER. Translator of the "Bach (Johann Sebastian)" entry in E. L. Gerber's Neues historisch-biographisches Lexikon der Tonkünstler (Book 1, 1812; Book 2, 1812; Book 3, 1813; Book 4, 1814); Part II, Vol. I/3 (1970), 30-40.

WINZENBURGER, WALTER. Translator of the "Bach, Joh. Sebastian" entry in E. L. Gerber's Historisch-Biographisches Lexikon der Tonkünstler, (Book 1, 1790; Book 2, 1792); Part I, Vol. I/2 (1970), 26-30.

WOLFF, CHRISTOPH. Bach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass, Vol. XX/1 (1989), 55-64.

WOLFF, CHRISTOPH. Musical Forms and Dramatic Structure in Bach's St. Matthew Passion, Vol. XX/1 (1988), 6-20.

Yoshitake Kobayashi's Article "On the Chronology of the Last Phase of Bach's Work - Compositions and Performances: 1736 to 1750" - An Analysis with Translated Portions of the Original Text, (GERHARD HERZ, Translator), Vol. XXI/1 (1990), 3-25.

ZAGER, DANIEL. Review of The Organs of J. S. Bach: A Handbook, by Christoph Wolff and Markus Zepf, Vol. XLIII/2 (2012), 93-96.

Zarathustra: Reflection of the Baroque Overture, EMILY FREEMAN BROWN, Vol. XXVI/1-2 (1995), 84-90.

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