Riemenschneider Bach Institute

 

BACH Journal: Cumulative Index - [M] [N] [O]

AUTHOR-TITLE-SUBJECT INDEX--CUMULATIVE-1970-2011

MACREDIE, IAN (Translator, with Elinore Barber and Alfred Mann). Stylistic Analysis and Text Philology in the Service of "Inner" Chronology" Involving Stylistic Analyses of Selected Arias by Johann Sebastian Bach, REINMAR EMANS, Vol. XXVI/1-2, 1-14.

Madness and Music: Handel's Porphyric Patron, George III, JANE AMBROSE, Vol. XXVII/1 (1996), 57-65.

Magnificat: Anomalies of Tonart and Stimmton in the First Version of Bach's Magnificat (BWV 243a), DON L. SMITHERS, Vol. XXVII/2 (1996), 1-59.

Magnificat: Bach, Luther, and the Magnificat, MICHAEL LINTON, Vol. XVII/2 (1986), 3-15.

Magnificat of Johann Kuhnau, The, EVANGELINE RIMBACH, Vol. XI/4 (1980), 24-31.

MANN, ALFRED (Translator, with Ian Macredie and Elinore Barber). Stylistic Analysis and Text Philology in the Service of "Inner" Chronology" Involving Stylistic Analyses of Selected Arias by Johann Sebastian Bach, REINMAR EMANS, Vol. XXVI/1-2, 1-14.

MANN, ALFRED. A Document from the Hand of Arthur Mendel: Introduction and Commentary, Vol. XX/3 (1989), 4-14.

MANN, ALFRED. An Unknown Detail of Handel Biography, Vol. XVI/2 (1985), 3-5. Reprint, Vol. XXV/2 (1994), 59-62.

MANN, ALFRED. Dedication, Vol. XXII/1 (1991), 3.

MANN, ALFRED. Missa Brevis and Historia: Bach's A Major Mass, Vol. XVI/1 (1985), 6-11.

MANN, ALFRED. Translator, "Bach's Clavierürbung III, " CHRISTOPH TRAUTMANN'S article, Vol. XV/3 (1994), 3-11.

MANN, ALFRED. Translator, "Deceptive Performance Traditions," HANS T. DAVID'S article, Vol. XXI/2 (1990), 15-30. Reprint with introduction by Max Rudolf, Vol. XXV/2 (1994), 36-53.

MANN, ALFRED. Translator, "Ey! How Sweet the Coffee Tastes", HANS-JOACHIM SCHULZE, Vol. XXXII/2 (2001), 2-34.

Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists, The? DIMITRY MARKEVITCH, Vol. XXX/1, 66-69.

MARAIS, MARIN. Selected Works as Arranged for Harpsichord by Doris Ornstein: Fête Champètre Tambourin (from Book IV of Pièces de Violes), Vol. XXIX/1 (1998), 77-82.

MARISSEN, MICHAEL. More Source-Critical Research on Bach's Musical Offering, Vol. XXV/1 (1994), 11-27.

MARISSEN, MICHAEL. On Linking Bach's F-Major Sinfonia and His Hunt Cantata, BWV 208, Vol. XXIII/2, (1992), 31-46.

MARKEVITCH, DIMITRY. The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? DIMITRY MARKEVITCH, Vol. XXX/1, 66-69.

MARSHALL, ROBERT L. Bach and Mozart: Styles of Musical Genius, Vol. XXII/1 (1991), 16-32.

MARSHALL, ROBERT L. Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths, Vol. XLIII (2012), 1-28.

MARSHALL, ROBERT L. Truth and Beauty: J. S. Bach at the Crossroads of Cultural History, Vol. XV/2 (1990), 3-14.

Masonic Allusions in the Dedications of Two Canons by J. S. Bach, BWV 1078 and 1075, MARY GREER, Vol.XLIII, 1-45.

Mass in B Minor: Johann Sebastian Bach's Great Mass, HANS T. DAVID, Vol. II/1 (1971), 29-32.

Mass in B Minor: Symbolic Correspondence in the Duets of Bach's Mass in B Minor, GEORGIA COWART, Part I, Vol. XV/1 (1984), 17-24; Part II, Vol XV/2 (1984), 18-25.

Mathematical Approach: Reconstituting J. S. Bach's Keyboard Temperament, A, HERBERT ANTON KELLNER, Vol. X/4 (1979), 2-8.

Mathematical Approach Reconstituting J. S. Bach's Keyboard Temperament, A (revised), HERBERT ANTON KELLNER, Vol. XXX/1, 1-9.

Mattheson: Johann Mattheson's Organisten-Probe: Erläuterungen - A Translation, WALTER SCHENKMAN, Part I, Vol. XII/4 (1981), 10-16.

Mattheson, Johann: Notations on Mattheson's Der brauchbare Virtuoso, JANE AMBROSE, Vol. XVII/3 (1986), 3-9. Reprint, Vol. XXV/2 (1994), 91-98.

Mattheson, Johann: Portrait of Mattheson, the Editor, Together with His Correspondents, WALTER SCHENKMAN, Part I, Vol. IX/4 (1978), 2-10; Part II, Vol. X/1 (1979), 3-12; Part III, Vol. X/2 (1979), 2-8. Reprint, Vol. XXV/2 (1994), 63-90.

Mattheson, Johann: Theory and Practice: Mattheson's Differing Key Arrangements, WALTER SCHENKMAN, Part I, Vol. XII/3 (1981), 2-10; Part II, Vol. XII/4 (1981), 3-9.

MATTHESON, JOHANN. Der vollkommene Capellmeister... (WALTER WINZENBURGER Translator), (1736) Part I, Vol. II/3 (1971), 33-36; (1763) Part II, Vol. II/4 (1971), 38-41.

MAYEROVITCH, ROBERT. CD REVIEW: Johann Sebastian Bach: Art of the Fugue, PETER ELYAKIM TAUSSIG, PIANO SOLO, VOL XXXIII/2 (2002), 71-76.

McCARTHY, KERRY. [REVIEW: Bach Studies from Dublin, edited by Anne Leahy and Yo Tomita], Vol. XXXVI/1 (2005), 97-100.

McCARTHY, KERRY. [REVIEW: Johann Sebastian Bach: Christmas Oratorio [BWV 248], Vol. XXXVII/1 (2006), 78-81.

McCLEAN, HUGH J. BWV 551, A Bachian Orphan, Vol. XXIV/1 (1993), 35-46.

MEMORIAL DEDICATIONS:  Delbert Meacham Beswick, Vol. X/3 (1979), 2. Hayes M. Fuhr, Vol. VI/3 (1975), 19. Karl Geiringer, Vol. XX/1 (1989), 5. Miriam P. Gelvin, Vol. XIX/1 (1988), 2. Gerhard Herz, Vol. XXXII/1 (2001), 77. Harold Gleason, Vol. XI/4 (1980), 2. George Frideric Handel, Vol. XVI/2 (1985), 2. Julius Herford, Vol. XII/4 (1981), 2. Ralph Kirkpatrick, Vol. XV/4 (1984), 2. Hans Klotz, Vol. XVIII/4 (1987), 2. Cecil W. Munk, Vol. VII/1 (1976), 26. Doris Ornstein, Vol. XXIII/2 (1992), 3. Albert and Selma Marting Riemenschneider, Vol. XIV/2 (1983), 2. Selma Marting Riemenschneider, Vol. II/3 (1971), 3. Heinrich Schütz, Vol. XVI/4 (1985), 2. Albert Schweitzer, Vol. VI/4 (1975), 3. Harold Spivacke, Vol. VIII/3 (1977), 2. George Szell, Vol. I/4 (1970), 3. Thomas Robert Villella, Vol. XIII/3 (1982), 2.

MELAMED, DANIEL R. The Text of "Gott Ist Mein Konig" BWV 71. Vol. XXXII/1 (2001), 1-16.

MENDEL, ARTHUR. A Document from the Hand of Arthur Mendel: Introduction and Commentary by Alfred Mann, Vol. XX/3 (1989), 4-14.

Meter and Tempo Indications in Music of the Early Baroque, WALTER WINZENBURGER, Vol. III/1 (1972), 13-21.

Meter: Meter and Tempo Indications in Music of the Early Baroque, WALTER WINZENBURGER, Vol. III/1 (1972), 13-21.

MILKA, ANATOLY. Preface To The Facsimile Reproduction of The Original Edition of Gottfried Kirchhoff's L'A.B.C. Musical Contenant Des Preludes Et Des Fugues Les Tons Pour l'orgue, Ou Le Clavecin . . . Amsterdam, C. 1734, Vol. XLII/2 (2011), 1-39.

MILNER, SCOTT C. Süße Todesstunde or Mit Fried und Freud: Reformation Theology and the Lutheran "Art of Dying" in Two Bach Cantatas. SCOTT C. MILNER. Vol. XXXI/1 (2000), 34-57.

Missa Brevis and Historia: Bach's A Major Mass, ALFRED MANN, XVI/1 (1985), 6-11.

MONSEAU, SUSAN. Elinore Barber, Editor of BACH 1970-1998 (Editorial), Vol. XXIX/1 (1998), 5-6.

MORANA, FRANK. The "Dobenecker" Toccata, BWV-Anh. II 85: An Early Bach Work? Vol. XXIV/2 (1993), 26-37.

MORANA, FRANK. The Lost Dedication Copy of Partita 1: Bach as a Poet? Vol. XXII/2 (1991), 13-23.

MORANA, FRANK. The Presto in D Minor, BWV 970: Its Authorship Reconsidered, Vol. XXI/3 (1990), 9-29.

More Evidence of Numeral-Logical Design in Bach's St. Matthew Passion, TIMOTHY A. SMITH, Vol. XVII/2 (1986), 24-30.

More Information from Jacques Posell (From Our Readers), JACQUES POSELL, Vol. VIII/1 (1977), 29.

More on Articulation in J. S. Bach's Keyboard Music (From Our Readers), GEORGE KOCHEVITSKY, Vol. VIII/1 (1977), 25-29.

More on the Figured-Bass Accompaniment in Bach's Time: Friedrich Erhard Neidt and The Musical Guide, ALMA ESPINOSA, Vol. XII/1 (1981), 13-22.

More Source-Critical Research on Bach's Musical Offering, MICHAEL MARISSEN, Vol. XXV/1 (1994), 11-27.

MORGAN, EMERSON. [A] Previously Unknown Source For The Orgelbüchlein:Yale Misc. Ms. 545,  Vol. LXI/2 (2011), 64-73.

MORGAN, WESLEY K. Bach's Singet dem Herm ein neues Lied: An Old Problem, Part I, Vol. XI/4 (1980), 8-23; Part II, Vol. XII/1 (1981), 2-12.

Motif and Structure in Bach's Fifth Prelude, MARK ELLIS, Vol. XXXVII/1 (2006), 1-25.

Mozart Writes Concerning His "Unofficial" Borrowing of Some Haydn Scores (Litterae ab musicis), Vol. VII/2 (1976), 29.

Mühlhausen Organ Revisited - Precious Clues to Bach's Preference in Organ Design and Registration, The, THOMAS HARMON, Vol. IV/1 (1973), 3-15. Reprint, Vol. XXVI/1-2 (1995), 57-69.

MULBURY, DAVID. Bach's Passacaglia in C Minor - Notes Regarding its Background, Essence, and Performance, Part I, Vol. III/2 (1972), 14-27; Part II, Vol. III/3 (1972), 12-20; Part III, Vol. III/4 (1972), 17-24.

MUNK, CECIL W; (1901-1976). Memorial Dedication, Vol. VII/1 (1976), 26.

Music History - A Teaching, Leming, Performing Experience, HANS T. DAVID (Notizbuch für Studenten), Vol. II/3 (1971), 28-32.

Musical Forms and Dramatic Structure in Bach's St. Matthew Passion, CHRISTOPH WOLFF, Vol. XIX/1 (1988), 6-20.

Musical Offering: An Inventory of Bach's Musical Offering, MARK A. RADICE, Vol. VI/1 (1975), 12-16.

Musical Offering: Bach, J. S., Musicalische Opfer, Zella St. Blasii: J. G. Schübler [1747] (Bach Tercentenary Facsimile Project), Vol. XI/2 (1980), 29-36; Vol. XI/3 (1980), 24-31.

Musical Offering: Hans T. David Writes Alfred Einstein Concerning...the Musical Offering (Litterae ab musicis), Vol. II/1 (1971), 33-34.

Musical Offering: More Source-Critical Research on Bach's Musical Offering, MICHAEL MARISSEN, Vol. XXV/1 (1994), 11-27.

Musical Terminology in the Canonic Works of Bach: An Historical Context, DENIS COLLINS, Vol. XXVI/1-2 (1995), 91-101.

Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach, THOMAS B. PAYNE, Vol. XVII/1 (1986), 18-35.

Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach, VINCENT P. BENITEZ, Vol. XVIII/1 (1987), 3-21.

[The] Musician in Literature in the Age of Bach by Stephen Rose [Review], MARK A. PETERS, Vol. XL (2012), 90-93.

Narrative Style: Johann Mattheson and the Stylus narrativus, MARK A. RADICE, Vol. XVIII/3 (1987), 3-9.

Nassare: Pablo Nassare's Contrapuntal method, Vol. XV/4 (1984), 23-3 1. DONALD W. FORRESTER, Vol. XV/4 (1984), 23-31.

[The] Nature of Bach's Italian Concerto BWV 971, FEDERICO GARCIA, Vol. XXXVI/1 (2005), 1-24.

Neglected Guide to Bach's Use of Number Symbolism, A, RANDOLPH N. CURRIE, Part I, Vol. V/1 (1974), 23-32; Part II, Vol. V/2 (1974), 36-49; Part III, Vol. V/3 (1974), 3-12; Part IV, Vol. V/4 (1974), 3-8.

Neues historisch-biographisches Lexikon der Tonkünstler (Book 1, 1812; Book 2, 1812; Book 3, 1813; Book 4, 1814), ERNST LUDWIG GERBER (WALTER WINZENBURGER, Translator of the "Bach [Johann Sebastian]" entry in), Part II, Vol. I/3 (1970), 30-40. See also Vault Holdings, Vol. II/1 (1971), 36-37.

New Bach Society Request: 1985, The Bach Year In America: A Proposed Documentation, Vol. XIII/2 (1982), 28.

New Light on the Pre-History of the Bach Choir of Bethlehem, ROBIN A. LEAVER, Vol. XXII/2 (1991), 24-34.

Newly Discovered Work of Charles Theodore Pachelbel, A, H. JOSEPH BUTLER, Vol. XXVIII/1-2 (1997), 126-43.

Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hiterto Unknown Revised Version, CHRISTOPH ÖHM-KÜHNLE, Vol. XXXVIII/1 (2007), 45-66.

NOEHREN, ROBERT. Notes on Bach and the Organ of His Time, Vol. VI/2 (1975), 3-14. Reprint, Vol. XVI/1 (1985), 69-80. Reprint, Vol. XXVI/1-2 (1995), 70-83.

NOLTE, EWALD V. A Footnote to "Bach and the B-A-C-H Motive" (From Our Readers), Vol. II/3 (1971), 37.

NOSEY, MARGARET A. The Recorder in the Sixteenth and Early Seventeenth Centuries (Notizbuch für Studenten), Part I, Vol. V/3 (1974), 29-36; Part II, Vol. V/4 (1974), 18-24; Part III, Vol. VI/1 (1975), 17-23; Part IV, Vol. VI/2 (1975), 15-25.

Notations on Mattheson's Der brauchbare Virtuoso, JANE AMBROSE, Vol. XVII/3 (1986), 3-9. Reprint, Vol. XXV/2 (1994), 91-98.

Notes Inégales: Performing Bach's Keyboard Music - Notes Inégales: A Brief History and a Summary, GEORGE A. KOCHEVITSKY, Vol. IV/4 (1973), 27-35.

Notes on Bach and the Organ of His Time, ROBERT NOEHREN, Vol. VI/2 (1975), 3-14. Reprint, Vol. XVI/1 (1985), 69-80. Reprint, Vol. XXVI/1-2 (1995), 70-83.

Notes on the Art of the Fugue: A Fragment, ERNEST LIVINGSTONE, Vol. XXVIII/1-2 (1997), 82-86.

NOTIZBUCH FÜR STUDENTEN (Also indicated as Notenbuch fér Sch lern). Vol. II/2 (1971), 27-30; Vol. II/3 (1971), 28-32; Vol. II/4 (1971), 10-14; Vol. III/1 (1972), 27-30; Vol. III/2 (1972), 28-30; Vol. IV/1 (1973), 26-38; Vol. IV/2 (1973), 25-39; Vol. IV/3 (1973), 36-40; Vol. V/1 (1974), 23-32; Vol. V/2 (1974), 36-49; Vol. V/3 (1974), 29-36; Vol. V/4 (1974), 18-24; Vol. VI/1 (1975), 17-23; Vol. VI/2 (1975), 15-25; Vol. VI/3 (1975), 36-40; Vol. VI/4 (1975), 30-35. Vol. VIII/3 (1977), 26-3 1; Vol. IX/1 (1978), 30-36; Vol. IX/2 (1978), 37-39; Vol. XVII/2 (1986), 31-45.

NOTIZBUCH FÜR STUDENTEN (Also indicated as Notenbuch fér Sch lern). Vol. II/2 (1971), 27-30. Vol. II/3 (1971), 28-32. Vol. II/4 (1971), 10-14. Vol. III/1 (1972), 27-30. Vol. III/2 (1972), 28-30. Vol. IV/1 (1973), 26-38. Vol. IV/2 (1973), 25-39. Vol. IV/3 (1973), 36-40. Vol. V/1 (1974), 23-32. Vol. V/2 (1974), 36-49. Vol. V/3 (1974), 29-36. Vol. V/4 (1974), 18-24. Vol. VI/1 (1975), 17-23. Vol. VI/2 (1975), 15-25. Vol. VI/3 (1975), 36-40. Vol. VI/4 (1975), 30-35. Vol. VIII/3 (1977), 26-31. Vol. IX/1 (1978), 30-36. Vol. IX/2 (1978), 37-39. Vol. XVII/2 (1986), 31-45.

NOTT, KENNETH. "Tilge,  Höchster, Meine Sünden": Observations on Bach and the Style galant, Vol. XXIII/1(1992), 3-30.

Number Alphabet: J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory, RUTH TATLOW, Vol. XX/3 (1989), 15-33.

Number Associations in the Structure of Bach's Credo BWV 232, ROBIN A. LEAVER, Vol. VII/3 (1976), 17-24.

Number Symbolism: Neglected Guide to Bach's Use of Number Symbolism, A, RANDOLPH N. CURRIE, Part I, Vol. V/1 (1974), 23-32; Part II, Vol. V/2 (1974), 36-49; Part III, Vol. V/3 (1974), 3-12; Part IV, Vol. V/4 (1974), 3-8.

Number Symbolism: Number Associations in the Structure of Bach's Credo BWV 232, ROBIN A. LEAVER, Vol. VII/3 (1976), 17-24.

Number Symbolism: Number Symbolism in Bach's First Cantata Cycle: 1723-1724, ARTUR HIRSCH, Part I, Vol. VI/3 (1975), 11-19; Part II, Vol. VI/4 (1975), 14-19; Part III, Vol. VII/1 (1976), 27-32.

Oboe: The Oboe Works of J. S. Bach, JOHN O. ROBISON, Part I, Vol. XIII/2 (1982), 2-5; Part II, Vol. XIII/3 (1982), 3-11; Part III, Vol. XIII/4 (1982), 30-35; Part IV, Vol. XIV/1 (1983), 22-28; Part V, Vol. XIV/3 (1983), 18-28.

Observations on Bach's Use of the Horn, BERTIL H. VAN BOER, JR., Part I, Vol. XI/2 (1980), 21-29; Part II, Vol. XI/3 (1980), 9-23.

Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr, o starker König, from the Christmas Oratorio, (Notizbuch für Studenten), TIMOTHY A. COLLINS, Vol. XVII/2 (1986), 31-45.

ÖHM-KÜHNLE, CHRISTOPH. Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hiterto Unknown Revised Version, Vol. XXXVIII/1 (2007), 45-66.

OLESKIEWICZ, MARY. "For the Church as well as for the orchestra" :J. S. Bach, the Missa, and the Dresden Court, 1700-1750, Vol. XXXVIII/2 (2007), 1-38.

On Linking Bach's F-Major Sinfonia and His Hunt Cantata, BWV 208, MICHAEL MARISSEN, Vol. XXIII/2 (1992), 31-46.

On Playing the Lute: Documentary Material, Translation of the Section on Playing the Lute from Sebastian Virdung's Musica getutscht [Basel 1511], (Notizbuch für Studenten), SHIRLEY TROUT, Part I, Vol. VI/3 (1975), 36-40; Part II, Vol. VI/4 (1975), 30-35.

On Preparing a Performing Edition of Handel's Cantata, Mi palpita il cor, DORIS ORNSTEIN, Vol. X/3 (1979), 3-31. Reprint, Vol. XXIX/1 (1998), 9-37.

On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance, ALBERT CLEMENT, Vol. XXXIV/2, 1-62.

On the Performance of Keyboard Allemandes, NATALIE JENNE, Vol. X/2 (1979), 13-30.

OP DE COUL, THOMAS. The Augmentation of Canon in J. S. Bach's Musicalisches Opfer, Vol. XXXVII/1 (2006), 50-77.

Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele: Another Example of Bach's Interest in Matters Soteriological, The, ANNE LEAHY, Vol. XXX/1, 26-41.

Organ: A Comparison of the Prices of Organs in Bach's Time and the 1980s, ROBERT R. EBERT, Vol. XIX/1 (1988), 28-45.

Organ: A Seventeenth-Century Organ Instruction Book, HAROLD GLEASON, Vol. III/1 (1972), 3-12. Reprint, Vol. XII/3 (1981), 11-20.

Organ: Jacob Adlung's Musica Mechanica Organoedi and the "Bach Organ," QUENTIN FAULKNER, Vol. XXI/1 (1990), 42-59.

Organ: Notes on Bach and the Organ of His Time, ROBERT NOEHREN, Vol. VI/2 (1975), 3-14. Reprint, Vol. XVI/1 (1985), 69-80.

Organ: The Mühlhausen Organ Revisited - Precious Clues to Bach's Preference in Organ Design and Registration, THOMAS HARMON, Vol. IV/1 (1973), 3-15. Reprint, Vol. XXVI/1-2 (1995), 57-69.

Organ: The Organ Music of J. S. Bach by Peter Williams. [Review] MARKUS RATHEY, Vol. XXXV/2 (2004), 69-71.

Organ: Wegweiser die Kunst die Orgel recht zu schlagen: A Seventeenth-Century Organ Instruction Book, HAROLD GLEASON, Vol. XXVII/2 (1996), 60-77.

Organ: Wegweiser...die kunst die orgel recht zu schlagen, Part I: ELINORE L. BARBER, Vol. XVIII/1 (1987), 25-36; Part II: WALTER B. HEWLETT'S "Introductory Remarks" and "Editorial Notes," Vol. XVIII/2 (1987), 4-63; Part III: W. B. HEWLETT'S "Editorial Notes," Vol. XVIII/3 (1987), 11-37; Part IV: W. B. HEWLETT'S "Editorial Notes," Vol. XVIII/4 (1987) 29-54; Part V: W. B. HEWLETTS "Editorial Notes," Vol. XIX/2 (1988), 25-56; Part VI: W. B. HEWLETT'S "Editorial Notes," "Conclusion," and "Bibliography," Vol. XIX/3 (1988), 19-74.

Organization in the Two-Part Inventions of Johann Sebastian Bach, COURTNEY S. ADAMS, Part I, Vol. XIII/2 (1982), 6-16; Part II, Vol. XIII/3 (1982), 12-19.

Orgelbüchlein: Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach, VINCENT P. BENITEZ, Vol. XVIII/1 (1987), 3-21.

Orthodox Lutheranism of Mattheson and Bach, The, JOYCE IRWIN, Vol. XLII/1 (2011), 70-83.

Original Titles of Bach's Works, The, HANS T. DAVID, Vol. I/1 (1970), 5-14.

Ornstein, Doris: In Tribute to the Work of Doris Ornstein (Editorial), ELINORE L. BARBER, Vol. XXIX/1 (1998), 7.

Ornstein, Doris: Marin Marais: Selected Works as Arranged for Harpsichord by Doris Ornstein: Fête Champètre Tambourin (from Book IV of Pièces de Violes), Vol. XXIX/1 (1998), 77-82.

Ornstein, Doris. (BWV 1010), Doris Ornstein's Harpsichord Transcription of BWV 1010, Vol. XXIX/1 (1998), 47-76.

ORNSTEIN, DORIS. (1930-1992). Memorial Dedication, Vol. XXIII/2 (1992), 3.

ORNSTEIN, DORIS. On Preparing a Performing Edition of Handel's Cantata, Mi palpita il cor, Vol. X/3 (1979), 3-13. Reprint, Vol. XXIX/1 (1998), 9-37.

Orpheus Britannicus (Vault Holdings), HENRY PURCELL, Vol. II/1 (1971), 35.

Overture: Zarathustra: Reflection of the Baroque Overture, EMILY FREEMAN BROWN, Vol. XXVI/1-2 (1995), 84-90.

Overtures: Tempo and Rhythm in Bach's Cantata Ouvertures, LAWRENCE SCHENBECK, Vol. XVII/1 (1986), 3-17.

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