Riemenschneider Bach Institute

 

BACH Journal: Cumulative Index - [J] [K] [L]

AUTHOR-TITLE-SUBJECT INDEX--CUMULATIVE-1970-2011

J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach, ERNEST C. HARRISS, Vol. IX/3 (1978), 2-8.

J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory, RUTH TATLOW, Vol. XX/3 (1989), 15-33.

J. S. Bach and the Bay Psalm Book, RICHARD G. APPEL, Vol. I/3 (1970), 22-24.

J. S. Bach and the Critics, ELINORE L.BARBER, Vol. II//3 (1971), 4-6.

J. S. Bach in the Year of the Moon, ELINORE L. BARBER, Vol. I/1 (1970), 3.

J. S. Bach's Einige canonische Veraenderungen: The View from the Original Print, GREGORY BUTLER, Vol. XX/2 (1989), 4-37.

J. S. Bach's Fugue II in C Minor from the Well-Tempered Clavier, Book I, (Notizbuch für Studenten), JULIUS HERFORD, Vol. IV/3 (1973), 36-40.

J. S. Bach's "Hudemann"Canon, BWV 1074: A Note on the Engraving and Printing History, GREGORY BUTLER, Vol. XXV/1 (1994), 5-10.

J. S. Bach's Meine Seel'erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase, MARK A. PETERS, Vol. XL/1 (2012), 29-64.

Jacob Adlung's Musica Mechanica Organoedi and the "Bach Organ," QUENTIN FAULKNER, Vol. XXI/1 (1990), 42-59.

JENNE, NATALIE. Bach's Use of Dance Rhythms in Fugues, Part I, Vol IV/4 (1973), 18-26; Part II, Vol. V/1 (1974), 3-8; Part III, Vol. V/2 (1974), 3-21.

JENNE, NATALIE. On the Performance of Keyboard Allemandes, Vol. X/2 (1979), 13-30.

JEROLD, BEVERLY.  Pitch in the Vocal Works of J. S. Bach, Vol. XXXI/1 (2000), 74�95. Editorial Decisions for Ornaments in Bach's Works, Vol. XXXIII/2 (2002), 1-14. Fasch and the Beginning of Modern Artistic Choral Singing, Vol. XXXV/1 (2004), 61�86. Bach's Lament about Leipzig's Professional Instrumentalists, Vol. XXXVI/1 (2005), 67-96. Letter [concerning Gertrud Schmeling Mara and Johann Adam Hiller, 1766], Vol. XXXVI/2 (2005). The Bach-Scheibe Controversy: New Documentation, Vol. XLII/1 (2011), 1-45.

Johann Christoph Bach's New Organ for Eisenach's Georgenkirche, LYNN EDWARDS BUTLER, Vol. XXXV/1 (2004), 42-60.

Johann Mattheson and the Stylus narrativus, MARK A. RADICE, Vol. XVIII/3 (1987), 3-9.

Johann Mattheson's Organisten-Probe: Erläuterungen - A Translation, WALTER SCHENKMAN, Part I, Vol. XII/4 (1981), 10-16.

Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach, HELMUT BRAUNLICH, Vol. XII/2 (1981), 2-10.

Johann Sebastian Bach and the "New Gusto" in Music Around 1740, CHRISTIAN AHRENS, Vol. XXXIII/1 (2002), 69-83.

Johann Sebastian Bach: Christmas Oratorio (BWV 248). Ignace Bossuyt (tr. Stratton Bull). REVIEW by Kerry McCarthy. Vol. XXXVII/1 (2006), 78-81

Johann Sebastian Bach in Nineteenth-Century America, KARL KROEGER, Vol. XXII/1 (1991), 33-42.

Johann Sebastian Bach: Theological Musician and Musical Theologian, ROBIN A. LEAVER, Vol. XXXI/1 (2000), 17-33.

Johann Sebastian Bach's Cantatas in Chronological Order, ARTUR HIRSCH, Vol. IV/3 (1973), 18-35.

Johnann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship [review essay], MARKUS RATHEY, Vol. XL/1 (2012), 65-83.

JOHNSON, PAUL. Tempo Relation in a Class of Keyboard Composition from Sweelinck to Bach, Vol. XVIII/4 (1987), 4-28.

JOSEPH, CHARLES M. Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and BWV 830, Vol. IX/2 (1978), 2-16 and 25-27.

Keiser, Reinhard: Concerning the Dating of Reinhard Keiser's St. Mark Passion, MARK A. RADICE, Vol. XXIV/1 (1993), 15-20.

KELLNER, HERBERT ANTON. A Mathematical Approach: Reconstituting J. S. Bach's Keyboard Temperament, Vol. X/4 (1979), 2-8. Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion, Vol. XXV/1 (1994), 46-56. A Mathematical Approach Reconstituting J. S. Bach's Keyboard Temperament (revised), Vol. XXX/1 (1999), 1-9. Considering the Tempering Tonality B-Major in Part II of the Well-Tempered Clavier, Vol. XXX/1 (1999), 10-25.

KENNELLY, LAURA (with Tom Riemenschneider). The Baldwin Wallace University Bach Legacy at 75 Years, Vol. XXXVIIII/1 (2007), 67-85.

KENNELLY, LAURA [intro.] The Willard Palmer Collection at the Riemenschneider Bach Institute, Vol. XXXIV/1 (2003), 72-89.

Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion, HERBERT ANTON KELLNER, Vol. XXV/1 (1994), 46-56.

Keyboard Music: Articulation: Problems of Articulation in Baroque Keyboard Music (At the Piano or the Organ), BEATRICE GANZ, Vol. VII/2 (1976), 3-13.

Keyboard Music: Bach's Keyboard Music - Embellishments, Part VII, The Turn and the Slide; Part VIII, Compound Ornaments; Part IX, Additional Remarks, GEORGE A. KOCHEVITSKY, Vol. VI/4 (1975), 23-29.

Keyboard Music: Fully Notated Articulation in Bach's Mature Keyboard Music, JOHN BOE, Part I, Vol. VII/1 (1976), 12-19; Part II, Vol. VII/2 (1976), 14-22.

Keyboard Music: Performing Bach's Keyboard Music - Articulation, GEORGE A. KOCHEVITSKY, Vol. IV/1 (1973), 21-25.

Keyboard Music: Performing Bach's Keyboard Music - Dynamics; A Postscript, GEORGE A. KOCHEVITSKY, Vol. VII/1 (1976), 3-11.

Keyboard Music: Performing Bach's Keyboard Music - Embellishments, GEORGE A. KOCHEVITSKY, Part I: Vol. V/3 (1974), 37-40; Part II: Vol. V/4 (1974), 25-30.

Keyboard Music: Performing Bach's Keyboard Music - Embellishments, Part III, The Trill, GEORGE A. KOCHEVITSKY, Vol. VI/1 (1975), 24-35.

Keyboard Music: Performing Bach's Keyboard Music - Embellishments, Part V, Acciaccaturas and Broken Chords; Part VI, Mordents and inverted Mordents, GEORGE A. KOCHEVITSKY, Vol. VI/3 (1975), 20-35.

Keyboard Music: Performing Bach's Keyboard Music - Embellishments, Part IV, The Appoggiatura, GEORGE A. KOCHEVITSKY, Vol. VI/2 (1975), 27-40.

Keyboard Music: Performing Bach's Keyboard Music - Notes Inégales: A Brief History and a Summary, GEORGE A. KOCHEVITSKY, Vol. IV/4 (1973), 27-35.

Keyboard Music: Performing Bach's Keyboard Music - Phrasing, GEORGE A. KOCHEVITSKY, Vol. III/4 (1972), 28-32.

Keyboard Music: Performing Bach's Keyboard Music - Tempo, GEORGE A. KOCHEVITSKY, Vol. IV/2 (1973), 22-24.

Keyboard Music: Performing Bach's Keyboard Music - The Choice of an Instrument, GEORGE A. KOCHEVITSKY, Vol. III/2 (1972), 33-37.

Keyboard Works: Three Collections of Keyboard Works by C. P. E. Bach, WALTER SCHENKMAN, Part I, Vol. VIII/4 (1977), 23-36; Part II, Vol. IX/1 (1978), 2-14 and 23-25.

KILGORE, EDNA. Time Signatures of the Well-Tempered Clavier: Their Place in Notational History, Vol. IV/2 (1973), 3-16.

KILIAN, OSKAR. Konrad Beisel (1691-1768): Founder of the Ephrata Cloister in Pennsylvania (WILTRUD CORNISH, Translator), Part I, Vol. VII/3 (1976, 25-28; Part II, Vol. VII/4 (1976), 31-36; Part III, Vol. VIII/1 (1977), 23-24.

KIRKPATRICK, RALPH (1911-1984). Memorial Dedication, Vol. XV/4 (1984), 2.

Kirnberger: Die Wahren Grunds tze, zum Gebrauch der Harmonie, JOHANN PHILIPP KIRNBERGER, (WALTER WINZENBURGER, Translator), Vol. I/4 (1970), 41-46.

KIRNBERGER, JOHANN PHILIPP. Die Kunst des reinen Satzes in der Musik, (WALTER WINZENBURGER, Translator), Part I, Vol. II/1 (1971), 42-46; Part II, Vol. II/2 (1971), 31-34.

KIRNBERGER, JOHANN PHILIPP. Die wahren Grundsätze zum Gebrauch der Harmonie (WALTER WINZENBURGER, Translator), Vol. I/4 (1970), 41-46.

KLOTZ, HANS (1900-1987). Memorial Dedication, Vol. XVIII/4 (1987), 2.

KOBAYASHI, YOSHITAKE. Universality in Bach's B Minor Mass: A Portrait of Bach in his Final Years (In Memoriam Dietrich Kilian), (JEFFREY BAXTER, Translator), Vol. XXIV/2 (1993), 3-25.

KOCHEVITSKY, GEORGE. Performing Bach's Keyboard Music - The Choice of an Instrument, Vol. III/2 (1972), 33-37. Performing Bach's Keyboard Music - Phrasing, Vol. III/4 (1972), 28-32. Performing Bach's Keyboard Music - Articulation, Vol. IV/I (1973), 21-25.Performing Bach's Keyboard Music - Tempo, Vol. IV/2 (1973), 22-24. Performing Bach's Keyboard Music - Notes ln gales: A Brief History and a Summary, Vol. IV/4 (1973), 27-36.  From Our Readers, Vol. V/1 (1974), 34; Vol. V/2 (1974), 51; Vol. V/3 (1974), 41.Performing Bach's Keyboard Music - Embellishments, Part I, Cont'd. [Part II], Vol. V/4 (1974), 25-30. Performing Bach's Keyboard Music - Embellishments, Part I, Vol. V/3 (1974), 37-40. Performing Bach's Keyboard Music - Embellishments, Part III, The Trill, Vol. VI/1 (1975), Performing Bach's Keyboard Music - Embellishments, Part IV, The Appoggiatura, Vol. VI/2 (1975), 27-40.Performing Bach's Keyboard Music - Embellishments, Part VII, The Turn and the Slide; Part VIII, Compound Ornaments; Part IX, Additional Remarks, Vol. VI/4 (1975), 23-29.  24-35. Performing Bach's Keyboard Music - Embellishments, Part V, Acciaccaturas and Broken Chords; Part VI, Mordents and Inverted Mordents, Vol. VI/3 (1975), 20-35.Performing Bach's Keyboard Music - Dynamics; A Postscript, Vol. VII/1 (1976), 3-11. More on Articulation in J. S. Bach's Keyboard Music (From Our Readers), Vol. VIII/1 (1977), 25-29.

Translator, In Tokyo: A Little-Known Bach Autograph, by MICHAEL GOLDSTEIN, Vol. IX/2 (1978), 33-36.

KONE_NI, VLADIMIR J. Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I, Vol. XVII/3 (1986), 10-2 1; Part II Vol. XVII/4 (1986), 3-16.

Konrad Beisel (1691-1768): Founder of the Ephrata Cloister in Pennsylvania, OSKAR KILIAN, (WILTRUD CORNISH, Translator), Part I, Vol. VII/3 (1976), 25-28; Part II, Vol. VII/4 (1976), 31-3 6; Part III, Vol. VIII/1 (1977), 23-24.

KORDES, GESA. Self-Parody and the "Hunting-Cantata," BWV 208 - An Aspect of Bach's Compositional Process, Vol. XXII/2 (1991), 35-57.
KRENEK, ERNST. Parvula Corona Musicalis, Vol. II/4 (1971), 18-31. Reprint, Vol. XXVII/1 (1996), 66-85. See also communication in "From our Readers," Vol. II/3 (1971), 37.

KRENEK, ERNST. Postscript to the Parvula Corona. Vol. III/3 (1972), 21-26. Reprint, Vol. XXVII/1 (1996), 66-85.

KROEGER, KARL. Johann Sebastian Bach in Nineteenth-Century America, Vol. XXII/1 (1991), 33-42.

Kuhnau: The Magnificat of Johann Kuhnau, EVANGELINE RIMBACH, Vol. XI/4 (1980), 24-31.

Kunst des reinen Satzes, Die. J. P. KIRNBERGER, (WALTER WINZENBURGER, Translator) Part I, Vol. II/1 (1971), 42-46; Part II, Vol. II/2 (1971), 31-34.

LEAHY, ANNE. The American Image of Bach from a German Emigré's Perspective: Gerhard Herz and the Modern American Bach Movement, Vol. XL (2009), 58-79. The Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele: Another Example of Bach's Interest in Matters Soteriological. ANNE LEAHY, Vol. XXX/1 (1999), 26-41.

LEAVER, ROBIN A. Bach and Luther, Vol. IX/3 (1978), 9-12 and 25-32.

LEAVER, ROBIN A. Bach's Understanding and Use of the Epistles and Gospels of the Church Year, Vol. VI/4 (1975), 4-13.

LEAVER, ROBIN A. Further Thoughts on B-A-C-H (From Our Readers), Vol. II/4 (1971), 36-37.

LEAVER, ROBIN A. Heinrich Schütz as a Biblical Interpreter. Vol. IV/3 (1973), 3-8. Reprint, Vol. XVI/4 (1985), 4-8.

LEAVER, ROBIN A. Johann Sebastian Bach: Theological Musician and Musical Theologian, Vol. XXXI/1 (2000), 17-33.

LEAVER, ROBIN A. Leipzig's Rejection of J. S. Bach, Part I, Vol. III/3 (1972), 27-39; Part II, Vol. III/4 (1972), 3-7.

LEAVER, ROBIN A. List of the Settings of Bible Texts in the Works of Heinrich Schütz, Vol. IV/3 (1973), 8-12. Reprint, Vol. XVI/4 (1985), 24-31.

LEAVER, ROBIN A. New Light on the Pre-History of the Bach Choir of Bethlehem, Vol. XXII/2 (1991), 24-34.

LEAVER, ROBIN A. Number Associations in the Structure of Bach's Credo, BWV 232, Vol. VII/3 (1976), 17-24.

LEAVER, ROBIN A. Parody and Theological Consistency: Notes on Bach's A-Major Mass, Vol. XXI/3 (1990), 30-43.

LEAVER, ROBIN A. Schütz and the Psalms, Vol. XVI/4 (1985), 34-48.

LEAVER, ROBIN A. Suggestions for Future Research into Bach and the Chorale: Aspects of Repertoire, Pedagogy, Theory, and Practice, Vol. XLI/2 (2011), 40-63.

LEAVER, ROBIN A. The Calov Bible from Bach's Library, Vol. VII/4 (1976), 16-22.

LEAVER, ROBIN A. The Funeral Sermon for Heinrich Schütz, Part I, Vol. IV/4 (1973), 3-17; Part II, Vol. V/1 (1974), 9-22; Part III, Vol. V/2 (1974), 22-35; Part IV, Vol. V/3 (1974), 13-20. Reprint, Vol. XXV/2 (1994), 115-129.

LEAVER, ROBIN A. The Libretto of Bach's Cantata No. 79: A Conjecture, Vol. VI/1 (1975), 3-11.

LEAVER, ROBIN A. The Revival of the St. John Passion, History and Performance Practice, Vol. XX/3 (1989), 34-49.

LEAVER, ROBIN A. The Valuation of Bach's Library, Vol. IX/2 (1978), 28-32.

Leipzig's Rejection of J. S. Bach, ROBIN A. LEAVER, Part I, Vol. III/3 (1972), 27-39; Part II, Vol. III/4 (1972), 3-7.

LENNEBERG, HANS. Handel, Bach and Relative Success, Part I, Vol. XII/4 (1981), 22-27; Part II, Vol. XIII/2 (1982), 17-22.

Libretto of Bach's Cantata No. 79: A Conjecture, The, ROBIN A. LEAVER, Vol. VI/1 (1975), 3-11.

LINTON, MICHAEL. Bach, Luther, and the Magnificat, Vol. XVII/2 (1986), 3-15.

LINTON, MICHAEL. The Dual Chiastic Design of the C Major Prelude, BWV 870 (Well-Tempered Clavier, Vol. II), Vol. XXVII/1 (1996), 31-56.

List of the Settings of Bible Texts in the Works of Heinrich Schütz, ROBIN A. LEAVER, Vol. IV/3 (1973), 8-12. Reprint, Vol. XVI/4 (1985) 24-31.

LITTERAE AB MUSICIS Vol. I/4 (1970), 31-32. Vol. II/1 (1971), 33-34. Vol. II/2 (1971), 20-21. Vol. II/3 (1971), 17-20. Vol. III/1 (1972), 22-26. Vol. III/2 (1972), 31-32. Vol. III/4 (1972), 25-27. Vol. VI/4 (1975), 20-22. Vol. VII/2 (1976), 29. Vol. VII/3 (1976), 29-30. Vol. VII/4 (1976), 23-25. Vol. VIII/1 (1977), 33-35. Vol. VIII/2 (1977), 28-29.

LIVINGSTONE, ERNEST. Notes on the Art of the Fugue: A Fragment, Vol. XXVIII/1-2 (1997), 82-86.

Lombard Rhythm in the Domine Deus of Bach's B-Minor Mass - An Old Controversy Resolved, GERHARD HERZ, Vol. VIII/1 (1977), 3-11.

Lombard Rhythm in the Domine Deus of Bach's B-Minor Mass - An Old Controversy Resolved, GERHARD HERZ, Vol. VIII/1 (1977), 3-11.

Lost Dedication Copy of Partita 1: Bach as Poet?, The, FRANK MORANA, Vol. XXII/2 (1991), 13-23.

Lost Oboe Works of J. S. Bach, The, JOHN O. ROBISON, Part I, Vol. XIII/2 (1982), 2-5; Part II, Vol. XIII/3 (1982), 3-11; Part III, Vol. XIII/4 (1982), 30-35; Part IV, Vol. XIV/1 (1983), 22-28; Part V, Vol. XIV/3 (1983), 18-28.

LOUWENAAR-LUECK, KARYL. The Sequence of Sarabande and Air in Bach's Keyboard Partitas, Vol. Y-XIII/1 (1992), 38-50.

Lully as Secrétaire du Roi, JAMES P. FAIRLEIGH, Vol. XV/4 (1994), 16-22.

Lute: On Playing the Lute: Documentary Material, Translation of the Section on Playing the Lute from Sebastian Virdung's Musica getutscht [Basel 1511, (Notizbuch fürr Studenten), SHIRLEY TROUT, Part I, Vol. VI/3 (1975), 36-40; Part II, Vol. VI/4 (1975), 30-35.

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